Guests enter a dark séance room that contains occult objects. Knockers and handles move independently, and some doors appear to be "breathing." Guests then pass by a demonic grandfather clock striking thirteen as the big hand turn backwards with a devil's tail that swings back and forth as a pendulum, while a shadow of a claw passes over it. The Doom Buggies then travel down a hallway of doors where sounds of pounding, calls for help, screams, knocking, and maniacal laughter can be heard from behind the doors. The Doom Buggies then turn to view a glass conservatory filled with dead flora surrounding a casket whose occupant ( X Atencio) is heard calling out for help to escape. Near the hallway's entrance is a moving suit of armor and a chair with an abstract face. Guests pass by a candelabra floating down an endless hallway. As they board the Doom Buggies, the Ghost Host gives a safety warning and lowers the safety bar. A light green fog is in the back of the room. In the load area, black carriages called "Doom Buggies" descend one staircase and ascend another to the second floor. Medusa: a woman in a Greek temple turning into a stone gorgon in the temple’s ruins.Īt the end of the corridor are two busts who appear to "follow" the guests with their gazes.The Flying Dutchman: a ship on calm waters turning into a ghostly version of itself in the middle of a storm.The Aging Man: a handsome nobleman turning into a skeleton in a rotting suit.The Black Prince: a knight and his horse on a cliff turning into skeleton-like ghosts with the sky darkening.The Werecat Lady: woman on a couch holding a rose turning into an anthropomorphic white tiger (originally a black panther) holding a bone.The subjects of the portraits on the right flicker briefly into macabre versions of themselves when lighting flashes from the windows on the left. After the Ghost Host apologizes to the guests, a wall opens, exposing the portrait corridor leading to the loading area. A shriek is then heard, followed by the sound of bones shattering. The man with the crossed arms is being carried by another man, who a third man is carrying, and they are sinking into quicksand.Īs the Ghost Host states that the guests can take "his way" out, the room goes dark, the ceiling vanishes, and lightning flashes to reveal the cupola, in which hangs the Ghost Host's skeletal corpse from the rafters by a noose, implying that he committed suicide to try to escape.Sally Slater is on a fraying tightrope over an alligator who wants to eat her.The bearded man is not wearing any pants and is standing on a dynamite keg with a candle lighting the fuse. The elderly woman is sitting on a tombstone with a bust of a man named “George” with a hatchet in his head, implying that the woman was an axe murderer.While the Ghost Host challenges guests to find a way out, the room stretches vertically, and the portrait frames appear to elongate, revealing the following grim fates depicted in humorous fashion: A parasol-holding woman named Sally Slater.A bearded man with a piece of paper in his hand.Guests enter the mansion's art gallery, which contains four paintings, each depicting a person from the chest up: Once inside, the deep voice of the invisible Ghost Host ( Paul Frees) introduces himself in the foyer. Guests enter the mansion's grounds through the front gate and walk through a garden containing a pet cemetery and a carriage led by an invisible horse. The hall of portraits that guests see as they exit the elevator. Ghost Host (Voiced by Paul Frees in California and Florida Teichiro Hori in Tokyo) " Grim Grinning Ghosts" composed by Buddy Baker
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